An unflinching look at the ongoing debate on violence in movies and its effect on the audience.

The history of business and entrepreneurship lies at the heart of the American story, but often absent are the names and experiences of African Americans who, from the country’s earliest days, have embodied the qualities of innovation, risk-taking and determination to forge a path toward a better life – which is at the heart of the American entrepreneurial spirit.

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.

An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.

Karl Alberg moves to a quiet coastal town to soothe a psyche that has been battered by big-city police work but finds himself needing to call upon all his skills to solve the murders that continue to wash up on his shore.

Lily and her son John live alone in a small town as her husband has been killed fighting the war in France. Or at least that is what she told John, but the arrival of Frank back in the town leads him to find out that she not only has been lying about that but also about the fact that she never married him. When Frank tussles with Lily in her yard she applies for a restraining order, calling on the help of her father (the esteemed judge Stoddard Bell) and his partner (lawyer Harmon Cobb). The case fails and when Frank is found murdered later that night Stoddard is arrested and Cobb has a defence case on his hands.

A widowed theatre director moves to a small Connecticut town where he gets involved in solving the murder of a millionaire, who was the most despised man in town.

Two hit men stumble upon a black magic altar and a bloody sacrifice in the home of their target and become ensnared in the terrifying shadowy darkness of the occult.

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Steve Rennie, longtime manager of Incubus and a driving force behind the band's multi-platinum commercial success, has launched, an online gathering place for musicians and music professionals trying to 'break in' to the business. Full of exclusive content and video, the site is home to Rennie's weekly web show Renman MB Live where aspiring artists gain insider access to the music industry. Each week, Rennie opens his office doors to aspiring artists from different musical genres, giving them his no-holds-barred feedback on what they are doing right - and wrong - on their journey to success. Guests on Rennie's live webcast get the opportunity to tap into his 30+ years of music industry contacts from producers, to marketing executives, to signed bands who are calling in and dropping by the show. Talent is not enough - Renman's f#ck the gatekeepers approach empowers artists to smash through the barriers and do what he hopes they will do; Dream It. Do It.